For a while now I’ve heard of a particular drug that purports to dull the formation of painful memories. I’ve always been a little unclear on how it works but I believe it takes away the emotional sting of the memory while leaving the recollection of the events. Ideally it could aid people who have suffered horrible crimes or soldiers suffering from PSTD. I had not heard of a more controversial use: the pill as a way of ducking emotional damage caused by committing heinous acts, especially in war time. This article, from 2003, describes a scenario.
The artillery this soldier can unleash with a single command to his mobile computer will bring flames and screaming, deafening blasts and unforgettably acrid air. The ground around him will be littered with the broken bodies of women and children, and he’ll have to walk right through. Every value he learned as a boy tells him to back down, to return to base and find another way of routing the enemy. Or, he reasons, he could complete the task and rush back to start popping pills that can, over the course of two weeks, immunize him against a lifetime of crushing remorse. He draws one last clean breath and fires.
That sounds a little overdramatic but makes the point. The rest of the article is a very even handed look at the whole issue. Some might say we can never use the pill in this way as it will destroy our humanity. But the response is that, look, if a killer is wounded during his crime, he still gets medical treatment for his physical wounds. Why would we deny him treatment for his psychological wounds? And if the person is a soldier why should he be doomed to a lifetime of guilt why the politicians who put him in the position get off scot-free*? It’s quite an interesting ethical debate.
* Writing this sentence made me consider how the term “scot-free” came to be. You’d think it was based on some story about a guy named Scot, but not so. it’s derived from an old english term that means exempt from royal tax.
A while back I was reading a book titled “The Circle of Consciousness.” One point it made, one that we’ve all heard before, is that different people are more alert and functional at different times of day. Some people are morning people, some are night owls, and some are, according to the book, a kind of hybrid person that comes alive after waking up, then burns out after a few hours but can then have a second wind around afternoon or evening. I suspect I fall into that category.
So why is this? I don’t really know though I suspect it has to do with the way your metabolism varies throughout the day. At certain points maybe energy can better get to your brain or something.
It seems our eating schedule affects this as well. I usually wake up and have a not-heavy breakfast (plus coffee!) I can then work on whatever for a good couple hours and get things done. Eventually the nagging of hunger gets to me and I’ll have a lunch. And almost always my brain then conks out a bit; I become more sluggish. This seems like the opposite of the way you’d think it would work—more food should give me more energy. But I find that slightly hungry morning period is my best period for mental activities. (I tend to write these erudite blog posts during that period.) To be slightly hungry actual makes my brain run better.
I could look up the whys of this but in a way it doesn’t matter. What I try to do is organize my day so that key mental activity takes place during that first hungry period (or perhaps later in the day at my second wind) and mundane, unintellectual stuff is after lunch.
Maybe the trick for optimum mental ability is the classic six light meals a day program that keeps your metabolism burning but never overwhelms you digestion.
I’ve mentioned that I’ve been drawing a lot of comic book style art lately. And I’m always talking about the notion that computers and robots will soon be taking away a lot of people’s jobs. Today I woke up and found myself thinking about how software could allow non artists to render decent looking comic book art.
We all know computers are great at numbers and calculations. So the question is, can we turn a scene in a comic book world into numbers and calculations? That is exactly what happens with the kind of 3D animation so prevalent in movies (and there we have the added complication of motion.) Basically, any object—a box, a cat, a person, a spaceship—can be reduces to a series of lines and curves and these can be rendered as numbers. So I can envision a software where you basically say, “show me an office space (basically the interior of a box) and put inside it a desk and a guy in a business suit.” Then you could rotate the scene around or move the guy, or move his arms at the joints (like and action figure etc.) From there the software could apply different styles to the way the lines are drawn (using a thin or thick pen for example, or using different kinds of shading techniques.)
This would go a long way towards allowing dilettantes to produced decent looking comic books. But would it also put real comic book artists out of work? I dunno… probably. At least it would make the job market tougher. I suspect what you would start to see would be more of a hybrid approach where some of the art is produced by software and some by an artists.
In the field of ethics, you often hear discussion of “The Trolley Problem“, a fictional scenario where a person is forced to chose the best outcome from a situation where at least one person is guaranteed to die. I stumbled across this web article which makes the case that the self driving Google car could bring the trolley problem to reality. If you car is headed into a crash should it sacrifice you to save bystanders?
How will a Google car, or an ultra-safe Volvo, be programmed to handle a no-win situation — a blown tire, perhaps — where it must choose between swerving into oncoming traffic or steering directly into a retaining wall? The computers will certainly be fast enough to make a reasoned judgment within milliseconds. They would have time to scan the cars ahead and identify the one most likely to survive a collision, for example, or the one with the most other humans inside. But should they be programmed to make the decision that is best for their owners? Or the choice that does the least harm — even if that means choosing to slam into a retaining wall to avoid hitting an oncoming school bus? Who will make that call, and how will they decide?
I would offer an additional moral question. If my car decides to sacrifice me can it be programmed to quickly and painlessly kill me as opposed to leaving me to the destruction of a car accident?
Occasionally I mention people known as split brain patients. These are folks, usually epileptics, who’ve had their left and right brain hemispheres separated for therapeutic reasons. Numerous experiments have been done showing that these patients are, eerily, kind of like two people in one body. Neuroscientist V.S. Ramachandran took things in an interesting direction when he asked a split brain patient whether he (they?) believed in God.
A while back I read some blog post by a guy describing a friend of his who still bought CDs. The guy did this because he believed that the act of curation was part of what made the music special for him. It wasn’t enough to have a vast collection of music at his fingertips (as anyone who has access to the web does), he wanted to have a relationship of sorts with the music. He wanted o purchase the CD, to eagerly read its jacket, to place the CD on and listen to the music, determining which were his favorites etc. I get the point though I think that kind of fetishization is a little fruity.
But there is something that I think has occurs when you have the massive digitization of music albums: each individual album becomes less valuable. Not just in a financial sense, but in a harder to define personal sense. I can remember as a kid that certain albums had a strong cache. “Sgt. Peppers” would be one, as would Pink Floyd’s “The Wall.” These albums were almost legendary in certain circles. I’m sure fans of hip hop or heavy metal or various other music genres can point to similar examples of their own. And additionally, when I was a kid, I would find certain unknown albums that I came to love and they became personal favorites of mine. (A bizarre album by the group Zodiac Mindwarp and the Love Machine was one.) This music had great personal value to me.
And I wonder of that sort of thing is disappearing. Because music can be pertained with so little effort is music losing not just financial but personal value? The guy buying CDs above is sort of forcing himself to maintain the previous value of music (personal and financial), even if the rest of the world has moved on.
This is counter to the consumer oriented forces of “more is better” who argue that the cheapening of things can only be good for people. And I suspect they’re basically right in terms of food and other basic needs. But not so much in regards to objects of personal fetishization. The valuation of such things has always been an ethereal process—exactly why a culture values one album of music over another is unclear (especially since music really has no purely utilitarian value the way food or shelter does.)
If you take a look at rock history you notice that a lot of rock stars were or are complete douchebags. I’ve noted before that John Lennon, icon of peace, was actually kind of a violent fucktard. Warren Zevon, whom I’m a great fan of, was a violent alcoholic. It’s only recently I learned of Eric Clapton’s famous racist speech from the 70s.
(You can hear his clueless defense decades later, here.)
The truth is, you seldom hear people talk about this. Fans and music journalists seem to be able to look past these behaviors and continue their adulation of these musicians.
I was recently reading a text that touched on the idea that humans are wired for a certain kind of spirituality, a certain sense of mysterious forces in the universe. We are, the idea goes, wired to believe in god. (There’s actually are very interesting, albeit flawed book called “The God Part of the Brain” which is all about this stuff.)
And I wonder if this is partly why we can be so forgiving of rock stars who go bad? Are we programmed to view them as Gods and therefore incapable of evil? (Ironically, graffiti that peppered London in the 60s did claim that “Clapton is God.”)
I’ve been noticing lately how often people’s statements, especially moral statements, really seem to be more about themselves than the topic at hand. “Well I find racism repugnant!” … that sort of thing. The point seldom is to convince others of a viewpoint, but to stake out one’s moral high ground.
I’ve been reading a short book called “Crimes Against Logic” written by a London based philosopher and towards the end he captures this problem nicely.
The idea that sincerity may substitute for reason is founded on an egocentric attitude toward belief: that what I believe is all about me, not about reality. What matters is not that the position I favor will have the best or intended effects, or that the problems I worry about are real or grave, but only that I hold my position from the right sentiments, that I am good.
So how does one avoid this? The trick is to take yourself out of the statement. Say, “racism is bad,” and then explain (the objective) reasons why. But it’s trickier ground requiring heavier thought.
Digital music is a topic I occasionally discuss around here. And writing about the topic abounds on the web, often tackling the issue of how music producers can earn a living making music while music consumers can enjoy music cheaply (because otherwise they will resort to piracy.) Spotify is often portrayed as a hero or villain as are a few other similar streaming music services that pay little money to musicians.
I feel that unless the writing on the topic mentions Youtube it’s missing the elephant in the room. When I want to hear a piece of music my first choice is always to see whether it’s on youtube. I’m seldom disappointed.
Much of this music is obviously pirated. (There’s lots of pirated moves as well.) Some guy uploads his favorite music to youtube and it’s there for all to hear. Additionally, he can show advertising with the video and split the revenue with Youtube (owned by Google.)
I’ve longed wondered whether something similar could happen with books as the ebook format (the book equivalent of an mp3) becomes more popular. According to the GoodEReader site, it’s happening.
Google Play Books is quickly becoming a den of iniquity and a veritable cesspool of piracy. It is ridiculously easy for someone to start a publishing company and upload thousands of pirated books and piggyback on the success of established authors. Google won’t do anything about the pirated copies and has even told authors inquiring about their illegitimate books that they have to contact the publisher. It is a vicious cycle and so far Google Play Books is firmly endorsing piracy.
If you casually browse the Google Play Books section, it is fairly easy to find all of the modern bestsellers, at a fraction of the price. This includes pirated copies of the entire 50 Shades trilogy by E.L. James, all seven Harry Potter books, or even George RR Martin’s A Song of Ice and Fire series – all bundled together and sold alongside legitimate content offerings.
Google made the following statement to Good e-Reader when asked about the rampant piracy issue on Play. “Google Play takes copyright seriously. We take swift action when we receive a DMCA complaint, which the copyright holder can complete here. Additionally, we’re constantly improving our systems to provide a better experience.”
It honestly does not seem like Google is taking piracy seriously at all. They do not have cover art algorithms that cross-reference newly published content with an original author. Not does it employ any methods to scan for ISBN numbers and reference it against the Open Library or any other mainstream database.
When I asked what Google was doing to fight piracy in Google Play Books, they were unable to name a single activity. When I asked what it would take to get a commercial ebook pirate banned from Google Play Books, the Google rep was unable to even confirm that they would even ban a pirate after dozens of valid DMCA notices. When I asked what improvements they planned to make, none came to mind.
I talk a lot about systems of the body around here, particularly as they relate to pain and anxiety. I’ve become particularly interested in the parasympathetic nervous system which is essentially the body’s tool for bringing about calm (as opposed to the sympathetic nervous system which is about getting excited, flight or fight, that sort of thing.)
I just stumbled across an interesting article on Dr. Andrew Weil’s new procedure for using breath to bring about sleep. The details are at the link and it sounds easy enough. One point from the article:
This extra oxygen can have a relaxing effect on the parasympathetic nervous system, which promotes a state of calmness.
During times of stress, the nervous system becomes over stimulated leading to an imbalance that can cause a lack of sleep.
As well as relaxing the parasympathetic nervous system, Dr Weil says 4-7-8 helps you feel connected to your body and distracts you from everyday thoughts that can disrupt sleep.